Andrew Powell, Departures, 'Sydney[.] Terry Ingram discusses current art market, and valuation of Whiteley's work. Laurie Hergenhan (Editor), The Australian Short Story: A Collection 1890s - 1990s, St. Lucia, 1986, cover page (colour illus.). 'Brett Whiteley Self Portrait and Other Intimacies', pg. Directed by James Bogle and produced by Sue Clothier, Whiteley includes extensive archival footage and photos, personal notes and letters, as well as animations and dramatic reconstructions, although no new interviews were shot for the film. He is represented in the collections of all the large Australian . Catalogue text. 0 bids Ending 7 Mar at 23:33 AEDST 5d 18h Local pickup. 1927 Mrs Annie Murdoch by G. W. Lambert. ), 6-7. His farewell to abstraction, Summer at Sigean, was a record of his honeymoon in France. 6-33, Brisbane, 2004, 22 (colour illus. 40 years Kaldor public art projects 1961-2009 World events timeline ART GALLERY OF NSW / Kaldor public art projects explorer / WORLD EVENTS TIMELINE the 1960s was an After studying desultorily at art school he travelled to Europe on ascholarship. Susan McCulloch, Alan McCulloch and Emily McCulloch Childs, The new McCulloch's encyclopedia of Australian art, Carlton, 2006, 1085 (colour illus.). In the latter painting, the table in the front of the room close to the viewer has minutely decorated vases and small objects, while a drawing on the left and a sculpture to the extreme right show how Whiteley often used erotic images in his works. Inspired principally by Matisse, but also by his house at Lavender Bay on Sydney Harbour's north shore, he created a series of large scale paintings of expansive interiors and views evoking the marine beauty of the harbour. . Its not the dark, edgy image of a celebrity, but the portrait of an artist. In 2007 his painting The Olgas for Ernest Giles was sold by Menzies for an Australian record of A$3.5million. [28], This article is about the artist. ), 162 (colour illus.). Deborah Edwards, Two centuries of Australian painting: a selection from the Art Gallery of New South Wales, 'Introduction', pg. Rhana Devenport and Vaughan Rees, Art-i-facts, Book One: An exploration of art and design for junior secondary students, 'Structure in art and design', pg. card no. Barbara Konkolowicz, A different vision, Sydney, 1998. Andrew Sayers, To look within: self portraits in Australia, 'The artist's self-portrait in Australia', pg. Closed Good Friday & Christmas day Apart from the mirror portrait, this was clearly inspired by Matisse's Red Studio, with the colour transformed to Whiteley's favourite ultramarine blue. Sandra McGrath, Brett Whiteley, 'Lavender Bay: Optical Ecstasy', pg. Yet he would survive for another 14 years, fatally succumbing to his drug addiction in a motel room at Thirroul on the south coast of New South Wales in 1992. See opening hours From $35.80. Brett Whiteley with Self Portrait in Studio 1976. Lina Tesoriero and Helga Nilson, Aspects of Arts, Marrickville, 1993, 23 (colour illus.). JDK-8141210 : Very slow loading of JavaScript file with recent JDK Free entry, Find out what you need to know before visiting. It was his comment on the direction the world might be headed and his response to a seemingly pointless war which could end in a nuclear holocaust. Think about how they indicate Whiteley's views on art and his role as an artist. 'Brett Whiteley 1975. tachisme: Brett Whiteley - in memory of It was first publicly exhibited at the Bonython Art Gallery in Paddington, Sydney in February 1972 as part of an exhibition titled Portraits and other emergencies. 26-53, Melbourne, 1997, 49 (colour illus. This is the same article that appeared in `The Saturday Mercury', titled `Whiteley gone but his great spirit lingers on', 20 June, 1992. [20] On 7 May 2007, Opera House, (which took Whiteley a decade to paint, and which he exchanged with Qantas for a period of free air travel) sold for A$2.8million, in Sydney. List of works . This article appeared in 'The Arts' section, and Dr. Keeney discusses problems artists have when painting their own hands. In these pictures the influence of Matisse reaches its apogee. Shop with Afterpay on eligible items. No other artist left traces of his own locks on so many canvases. Self Portrait at 36, Comedown, C. 1975 Ink on torn reassembled . One image which uses van Gogh's style in a unique way is The night caf (197172). Purchased by the New South Wales State Government 1994, transferred to the Gallery 1998 Wendy Whiteley, Brett Whiteley, 'Self portrait drawing calligraphically', 1975, Brett Whiteley Studio Collection Wendy Whiteley, Brett Whiteley, 'Self portrait', Brett Whiteley Studio Collection Wendy Whiteley. 8 in education pack. unknown author., The Courier Mail, 'He won Archibald and Sulman in top art coup', Bowen Hills, 22 Jan 1977, (illus.). [27] The documentary was made with the approval of Wendy Whiteley, and was received with critical acclaim. Barry Pearce, Brett Whiteley Art & Life, 'Persona and the Painter', pg. Donald Richardson, Art & Design in Australia, South Yarra, 1995, 15, 60, 80, 83, 137, 140, 145, 163, 243.. Peter Ross, Let's face it: the history of the Archibald Prize, Chapter 4: Into the 1970s, pg. Melissa Phegan., Daily telegraph mirror, 'The passion and pain of Brett Whiteley', Sydney, 21 Jul 1992, (illus.). The other title to this self-portrait is 'Self-portrait in exactly the spirit in which it was drawn. ), 198, 209 (illus.). . Terry Smith, Australian cultural history, 'Populism and Privilege in Australian Painting', pg. Whiteleys art was intimately connected to his tumultuous, creative life. At the age of 16, while boarding at Scots College in Bathurst, he came across a book on Vincent Van Gogh and painted a self-portrait in emulation of the famously misunderstood Dutchman. oil and hair on canvas and their inevitable separation added to the artist's problems with substances and self-doubt. Brett Whiteley painting - alchemy 1972-1973 Art Print. While the Archibald Prize never failed to stimulate debate, controversy yet again loomed when, in 1976, Brett Whiteley won with his painting Self Portrait in the . But at his best, Whiteley was brilliant and a major achievement of the film is that it focuses on this aspect of his art. Portraiture shouldnt just be paint and canvas. 1945 LtGen Edmund Herring by William Dargie. Shop unique custom made Canvas Prints, Framed Prints, Posters, Tapestries, and more. Jane Fraser., The Australian, 'Tribute to Whiteley looks back with love', Sydney, 07 Jul 1992, 3 (illus.). Peter Ross, Let's face it: the history of the Archibald Prize, 'Into the 1970s', pg. Brett Whiteley :: Art Gallery NSW List of works. BRETT WHITELEY. His work became highly desired by collectors, especially his large-scale, brilliantly-coloured interiors and landscapes strongly influenced by French artist Henri Matisse such as Big orange sunset 1974 and Self portrait in the studio 1976. Brett Whiteley. 29-31, Sydney, 20 Jun 1992, 29-31. Sold Price: WHITELEY, Brett (1939-1992) 'Self Portrait at - Invaluable This appeared in the `Arts' section of `The Australian Supplement'. Bonhams : Brett Whiteley (1939-1992) Baudelaire's Bird 1973 Lou Klepac, Brett Whiteley Drawings (2013). The Art Gallery of New South Wales has brought together 116 of Whiteleys works, from detailed landscapes to nude studies, that demonstrate the critical role of drawing something Whiteley called a completely un-rehearsable and unrepeatable visual truth in the artists creative practice, Brett Whiteley: Drawing Is Everything is showing at the Art Gallery of New South Wales until 31 March 2019, Thu 27 Dec 2018 21.53EST 174-195, Oxford, 2001, 190 (colour illus.). His reference to art history, including an image of the famous 1943 William Dobell portrait of Joshua Smith, won a court case against accusations that it was a caricature, not a portrait. Museum of Applied Arts and Sciences, Ken Done: The Art of Design, Sydney, 1994, 32 (illus.). WHITELEY, Brett (1939-1992) 'Self Portrait at 36, Comedown,' c1975. [18], In 1999, Whiteley's painting The Jacaranda tree (1977), which had won the Wynne Prize, sold for A$1,982,000,[19] a record for a modern Australian painter at that time. Elwyn Lynn., The Australian, 'A life of eternal struggle'; 'Golden boy's genius worthy of adulation', Sydney, 17 Jun 1992, 1, 16 (illus.). 13: Brett Whiteley 'Self portrait in the studio' 1976. His work was not always being praised by critics, although its market value continued to climb. 13: Brett Whiteley (1939-1992) Est: AUD60,000 - AUD80,000. Brett Whitely - Self Portrait In The Gallery | The McCorry Collection At 16 we are all misunderstood and ready to identify with Van Gogh, but few teenagers could have created such an accomplished homage. 7: BRETT WHITELEY, DAISIES, 1975 - 76. . The editor of this section was Geraldine Pascall. Brett Whiteley Studio Collection. 30.5 x 25.5 cm 28-29, Sydney, 09 Sep 1995, 28-29. How do they compare to Whiteleys artworks? It took a great deal of his time and effort, taking about a year of full-time work. SELF PORTRAIT, 1977 | Deutscher and Hackett card no. cat.no. Alchemy is the mythical ancient process of turning ordinary compounds into gold. Wendy Whiteley, former wife of Brett Whiteley, talks about the work 'Self-portrait in the studio' (1976). Jane Scott, Barry Pearce and Wendy Whiteley, Brett Whiteley: Connections, 'Brett Whiteley: Connections', Healesville, 2010, (colour illus.). Many of the ideas from the work may have come from his experiences with alcohol, marijuana and other drugs. Write a list of the things that interest you and your favourite objects. Brett Whitely (7 April 1939 - 15 June 1992) Look closely at the work and find the signs and symbols Whiteley uses to represent himself as an artist. Drugs and . From the late 1970s, his self-portraits such as Art, life and the other thing 1978 began to trace his heroin addiction, which increasingly impacted his life and career. ", Whiteley became increasingly dependent on alcohol and also became addicted to heroin. He . I remember having this very, very powerful sense that my destiny was to completely give myself to painting that I would be a painter and it was a remarkable moment of knowing that. One includes Australian artists John Olsen, and John Coburn examining Whiteley's Archibald prize-winning entry. Brett Whiteley's 'Self portrait in the studio' exudes a sense of sumptuous living and the liquid presence of the harbour through what he called the ecstasy-like effect of ultramarine blue. are Butcher Bird with Baudelaire's Eyes of 1972 in pen, ink, gouache and collage, and the . This article appears in 'The Australian Magazine' a liftout of 'The Australian' newspaper. 19-22, Sydney, 20 Jun 1992, 19-21 (illus.). The famed author Mishima had committed seppuku in 1970 and the literary mythology that arose of his apparent final vision of enlightenment in the form of the exploding sun, as he pressed the knife into his body, inspired and became the basis for this work. Saturday 29 April to Sunday 20 August 2006. Published in Deutscher and Hackett: IMPORTANT AUSTRALIAN + INTERNATIONAL FINE ART, Braving Time: Contemporary Art in Queer Australia. 102-181, Sydney, 1999, 167 (colour illus.). Brush and ink on brown paper 80.5 x 53.5cm. Edmund Capon AM, OBE and Jan Meek (Editors), Portrait of a Gallery, 'Australian 20th Century Art', pg. As the camera pans through the studio and over the works, Whiteley describes the challenges of being gifted and of overcoming his addictive tendencies. Jennifer Phipps, Members Magazine of the National Gallery Society of Victoria, 'Brett Whiteley Self Portrait and Other Intimacies', pg. Brett Whiteley AO (19391992), artist, displayed a brilliant talent for drawing as a Sydney schoolboy. Barbara Konkolowicz, Look, 'Big Blue Sydney Harbour Through The Eyes of Artists', pg. Brett Whiteley Art & Life (1995-1996), Art Gallery of New South Wales, Sydney, 16 Sep 1995-19 Nov 1995 Brett Whiteley Art & Life (1995-1996), Museum and Art Galleries of . gelatin silver photograph on paper (sheet: 50.4 cm x 40.4 cm, image: 45.2 cm x 30.8 cm) Brett Whiteley AO (1939-1992), artist, displayed a brilliant talent for drawing as a Sydney schoolboy. How would the space be divided and what objects of inspiration would be around you? Share on Facebook Share on Twitter. Ursula Prunster, Aspects of Australian art, Sydney, 2000, (colour illus.). These are amongst the most prestigious art prizes in Australia. I think that the artwork is set in Brett Whiteley's studio The artist destroyed this work after completion, finding it both disturbing and confronting. His ink drawings and paintings are accompanied by works of other Australian and Asian artists selected from the collection of the Art Gallery of New South Wales. This is a repeated advertisement for an art book titled `Brett Whiteley' by Sandra McGrath. Brett Whiteley: Self-Portrait (1977) - John McDonald 20-21, Heidelberg, May 1997, 21 (colour illus.). Artists; A-Z Listing; Art movements; Schools and groups (Above) Brett Whiteley Self portrait in the studio 1976 oil, collage, hair on canvas, 200.5 x 259 cm It features in all three self-portraits from 1976-78, acting as a signature or trademark. Art Gallery of New South Wales - Archive: 9 Shades of Whiteley Sandra McGrath, Brett Whiteley, Detail of 'Self Portrait in the Studio' on cover page of book, Pymble, 1992, cover (colour illus.). The Conceptual Frame Work- Brett Whiteley 'Self Portrait in the studio' 1039 Words; 3 Pages; The Conceptual Frame Work- Brett Whiteley 'Self Portrait in the studio' The symbols:He has used a variety of line, round and curvy in some areas but straight in others. [4] For Whiteley it was more like a compulsion to break the imaginary rules of painting, to be spontaneous and transgressive and to be recognised for these revolutionary gestures. 1946) a Sydney- based photographer, opened his own studio in 1968, taking advertising and magazine photographs and working with the Australian Opera and the Australian Ballet. Art, life and the other thing, 1978 by Brett Whiteley Before this, his previous highest-selling work was The pond at Bundanon for A$649,500. In his self-portraits, the artist reveals layers of himself and defines portraiture as something beyond the physical self to include his environment, personal and artistic influences, whether affirming or self destructive. Jennifer Phipps role at the time of publication was Curator of Australian Art. In 1976 he became the first artist to win the Archibald and Sulman prizes in the same year; having won only the Wynne in 1977, in 1978 he became the first artist to win the Archibald, Wynne and Sulman prizes in the same year. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified. Susan Hunt, The Archibald Prize 1921-1993, Sydney, 1993, 23 (colour illus.). and their inevitable separation added to the artist's problems with substances and self-doubt. He makes no attempt to hide the fact that he is somewhere else He was trying silently to say, stay away, this is not what it might seem. David Freeman will direct and Tahu Matheson will conduct. Jill Sykes, Look, 'McCulloch's Encyclopedia', pg. He had many shows in his career, and lived and painted extensively in Italy, England, Fiji and the United States. On weekends Whiteley painted around the New South Wales country towns of Bathurst, Hill End and Sofala, producing works such as Sofala 1958. Tina McGuffie, Mornington Peninsula leader, 'In a haze of art', pg. Robert Hughes, art critic for 'Time' magazine was quoted several times throughout this article. . Were not looking at a would-be genius or a sinful penitent. Gift of Patrick Corrigan AM 2004. (Whiteley 1979: 1) Whiteley also made images of the beach, such as his yellowish painting and collage work The beach II, which he painted on a brief visit to Australia before his return to London and his winning of a fellowship to America. ), 24. Sandra McGrath., The Australian, 'The making of an authentic genius', Sydney, 24 Jan 1977, 8 (illus.). 13-35, Sydney, 1988, 32, 34-35 (colour illus.). The work experimented with warping and manipulating a straight self-portrait, incorporating his pictorial sense of addiction. He . 105. He remembers the artist as vital and engaging, definitely one of the most imaginative and energetic individuals I have known. The Version table provides details related to the release that this issue/RFE will be addressed. (age29in1975), Brett Whiteley Jenny Aland and Max Darby, Australian Artlook, 'A Timeline of Australian Art', pg. 9, Sydney, 07 Sep 2013, 9. Critique of Whiteley. He sometimes took more than his body could handle, and had to be admitted to hospital for alcohol poisoning twice. See all 85 works. Alec George, Look, 'Whiteley's 'inner paddock', pg. In terms of media, it used everything from feathers and part of a bird's nest to a glass eye, as well as shell pieces, plugs and brain in a work that becomes a transmutation of sexual organic landscapes and mindscapes. In 1989, he and Wendy, whom he had always credited as his 'muse', divorced. Born in Sydney, Whiteley was sent to boarding school in Bathurst in 1948. ), 145 (colour illus.). Self portrait in the studio, 1976 by Brett Whiteley Art Gallery of NSW. The balcony 2, 1975 by Brett Whiteley :: | Art Gallery of NSW The Self-portrait of 1977 represents a far less theatrical attempt at self-reflection. He was very much influenced by the peace movement at the time and came to believe that if he painted one huge painting which would advocate peace, then the Americans would withdraw their troops from Vietnam. She's this decade's Miss Popularity among major cities, the prom queen of the southern hemisphere. The Conceptual Frame Work- Brett Whiteley 'Self Portrait in the studio' 1039 Words; 3 Pages; The Conceptual Frame Work- Brett Whiteley 'Self Portrait in the studio' The symbols:He has used a variety of line, round and curvy in some areas but straight in others. 87-118, Sydney, 1991, 115 (colour illus.). Yet Whiteley is always attempting to seduce the viewer, while Matisse had an underlying toughness . The painting which was finally produced was made of a fantastic array of elements, including collage, photography and even flashing lights, with a total length of nearly 22 metres. The balcony 2 Brett Whiteley 1975 116.1981. Growing up in Longueville, a suburb of Sydney, Whiteley was educated at Scots School, Bathurst[2] and Scots College, Bellevue Hill. Writing Service: Critical essay on a tell tale heart and academic success! 2023 John McDonald. A detail of Whiteley's self portrait is accompanied with a photograph of the artist. Archibald Retrosepctive Exhibition, Art Gallery of New South Wales, Sydney, 1985-1985. He is represented in the collections of all the large Australian galleries, and was twice winner of the Archibald, Wynne and Sulman prizes. The dominant impression is one of luxe, calme et volupt, in the manner of Henri Matisse, whose painting, The Red Studio (1911), was Whiteleys chief source of inspiration. Whiteley loved painting Sydney Harbour views in the 1970s such as in his paintings, Henri's Armchair (1974)[10] The balcony 2 (1975)[11] and Interior with time past (1976),[12] which show an interior and exterior view starting with a room that leads through open windows to the harbour full of boats outside. Close up of painting focused on blue harbour and white boats which merges with actual harbour footage with shimmering water. Brett Whiteley and the lyricism of the drawn line - in pictures signed and inscribed with title lower right brett whiteley / self-portrait after a haircut at 36, 100 x 75 . The Melbourne Argus, Saturday 21 January 1956 reported; 'South Australian artist, Ivor Hele today won the 1955 500 Archibald Prize for the fourth time, and the third year in succession. Consider the gaze of Whiteley in each of these works. from The New York Times: I am trying to become a great man. [5]. The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. Contemporary Art Quilter Pat Pauly's random thoughts and excursions made public. Source: Art Gallery of New South Wales Archive. Explore the tradition of interior and still life painting by examining the work of Johannes Vermeer, Henri Matisse, Vincent van Gogh, Giorgio Morandi and Margret Preston. Expressive, lively and playful, Brett Whiteleys sketches and drawings not only provided the foundations for his paintings, sculptures and prints, they also demonstrate the joy of capturing a moment on paper, indulging in an idea or creative concept. 28-29, Sydney, Mar 2012, 28, 29 (illus.). ACKNOWLEDGMENTS; PREFACE; THE CHECK; JERRY; WESTERN UNION; COUNTRY LIVING; THE CB THIRTEEN MEN; GREAT PLAINS; TRAMPS; SALEM; THE FARM; SCHOOL; BE FRUITFUL; AUSTA; THE . BRETT WHITELEY (1939 - 1992) SELF PORTRAIT, 1977 oil and hair on canvas 30.5 x 25.5 cm signed lower. 45. 22.). 8-14, Sydney, 1986, 14, 42 (colour illus.). ), Sue Williams, Daily telegraph mirror, 'Memories of Whiteley', subtitled 'Portrait of an artist', pg. Scholarly publications with full text pdf download. Unknown (Editor), Sun-Herald, 'The canvas of chaos - Brett Whiteley interview with Sam Newman', pg. [24] The paperback, featuring a new cover, was released in 2017. The 44-year-old Hele's winning entry was a portrait of Mr Robert Campbell, South Australian National Art Gallery director.'. Sold at Auction: Brett Whiteley - Invaluable unknown author., Sun news-pictorial, 'Brett wins art double', Melbourne, 22 Jan 1977, (illus.). He did paintings of the areas around Bathurst, Oberon and Marulan, all in New South Wales. 07 Apr 1939 Edmund Capon AM, OBE and Jan Meek (Editors), Portrait of a Gallery, 'Australian 20th Century art', pg. In little more than two years Whiteley had moved from a languorous vision of the studio to a sensational, confessional self-portrait set against a pale, terracotta ground. Donald Williams, In our own image: the story of Australian art, Sydney, 2002, 173 (colour illus.). 40, No. AU $100.00. A bald psychiatrist, Dr. Charles Berg, wrote an entire book in the subject: The Unconscious Significance of Hair (1951). This work is such a significant piece it was an essential inclusion for the curator of this exhibition. (1939 - 1992) SELF PORTRAIT, 1977. oil and hair on canvas. It might be argued that the hair is an affectation Whiteley used too frequently for comfort. This article was edited by Sally White. Leslie Hollings (Editor), The Australian, Sydney, 17 Mar 1979, (illus.). After meeting Bryan Robertson, the director of the Whitechapel Gallery, Whiteley was included in the 1961 group show 'Recent Australian Painting,' where his Untitled red painting was bought by the Tate Gallery. The Hotel Chelsea displayed several of Whiteley's paintings from the time he lived there, including Portrait of New York which was hung behind the reception desk.[7]. From $32.10. The room is a veritable salon hang of the artists sculptures and drawings. 26, Sydney, Jun 2014, 26 (colour illus.). 176-181, Sydney, 1984, 176, 177 (colour illus.). Jane Hampson, Look, 'wwwhiteley.com', pg. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. Transmission films. 34, Sydney, 17 Jun 1992, 34. unknown author., The Sydney Morning Herald, 'Mirror image a winner for artist Whiteley', Sydney, 22 Jan 1977, (illus.). Construct a self-portrait by layering images of these personal symbols. Barry Pearce, Three years on: a selection of acquisitions 1978-1981, 'Australian Art', pg. John Olsen at the time of print was a board member of the Art Gallery of NSW. [3] Throughout 1956 to 1959 at the National Art School in East Sydney, Whiteley attended drawing classes. Baudelaire's Bird 1973 signed 'brett whiteley / Aug 1973' on verso oil and feathers on canvas on board 56.0 x 52.0cm (22 1/16 x 20 1/2in). For portraiture to survive, especially self-portraiture, there has to be a deepening quality of self-revelation. In 1999, Brett's mother Beryl Whiteley (19172010) founded the Brett Whiteley Travelling Art Scholarship in memory of her son.